Saturday, April 30, 2022

Combat Scrolls - Tourney of the Daffodils

 At EK Youth Champion at the Tournament of the Daffodils V I was royalty liaison and spent the majority of the day in the royal room. It was up two flights of stairs, and due to medical issues, I wasn't moving far, so I struck up a conversation with the Eastern Crown Herald, Grim the Skald. He was the first Laurel in skaldic arts I had reached out to about Norse writing.

Two of the scrolls for the day's court had not arrived and he wasn't sure how he was going to present them as "Zen heralding” isn't his preference. 

I pointed out he had a wordsmith right in front of him, and he asked me to write two scrolls.


The first was a Silver Wheel for Budang Altajin, a fellow shire member of Midland Vale. 

I had the herald's notes for TRM and I decided to go with Chaucerian rhyming couplets. These words came easily to me. I concentrated on getting the appropriate pieces of information.  I didn't even have to re-write this one - it came out well the first time!


Today Budang Altajin receives the Silver Wheel

He keeps Midland Vale on an even keel


Working for Our fighters during the plague

Today his service is praised and no longer vague 


Demon King Ryou and Indrakshi Rani

Rulers of the East from land to sea.


Declare it so in Midland Vale

On April 30th AS 56, Beyond the Pale

Wordcount 59




The second scroll was an Apollo's Arrow for Tysha z Kieva. Archery scrolls seem to lend themselves to puns for me, and this one was no different - I even roped in some folk who were in the Royal Room to help! This scroll needed a rewrite, as I had crossed out and mentally rearranged a bunch of it. It definitely made me appreciate the ease of working on a computer - and wonder, yet again, how the great poets of old did this, at the very least, without erasers!!!


Tysha z Kieva

A decade and more, her work has been on TARGET.

SHARP and to the POINT, her arm is true and her BOW strong

HITTING her MARK in 3 different baronies as Champion!

Ryuo Demon King of the 3 Heavens and Rani Indrakshi aim

Tysha toward the Apollo's Arrow

With absolute trust she will hit the BULLSEYE

Forever more will KNOCK her skills as a part

Of a long STRING of ARCHERS worth their CLOUT

SHOT today at Midland Vale

Tourney of the Daffodils April 30th AS 56

Wordcount 90





This was a first for me, writing a scroll that would go out later that day.  It ate up a good chunk of time and I was glad for it.  It gave me something to do in the main part of the day, which kept my brain occupied.  So I can list Combat Scribing (as originally coined by Faolán an Sccreccain)  as something I have done.  But I am very glad to be doing composition at home, with access to my research, on my computer!


Court Report: Tournament of Daffodils


Saturday, April 23, 2022

Angelique de Conte - Silver Wheel

 Angelique de Conte’s path has been long
Doing service-deeds and work with horses
We’ve heard dazzling praise from Our kingdom’s throng
Washing dishes through multiple courses
Helping for hours: Set up through break down 
Her Equine works been observed by the Crown 
King Ryouko'jin declares majestically
Queen Indrakshi states with sincerity
That Angelique’s to have her Rank increased
Silver wheel is hers with all transparency 
These honors proclaimed in the Mighty East 

******** SPACE FOR ARMS *********

At Balfar’s Challenge with fine rarity
AS LVI, April Twenty Three
A joyous day with never a brow creased
In Dragonship Haven’s fine Barony
These honors proclaimed in the Mighty East 

Word Count 103

My little blog, Friendship is Magic! 
While the recommendation had many wonderful details about the recipient's fine qualities, it lacked personal details. Their wiki entry proved just as basic, saying only that their persona was "late 1400s France."
That was what I decided to focus on.
I looked up Medieval French Literature and found a list of Poetic forms used during that time, which included the Chant Royal. I was drawn to that because of my experience with Chaucer's Rhyme Royal which I have used in many scrolls. 
The "References" section of the Wikipedia page gave some marvelous opinions but few details:
... the most complicated measure of Northern France.
-Esenwein, Joseph Berg et. Joseph Berg Esenwein, Mary Eleanor Roberts Roberts. The Art of VersificationHome Correspondence School (1920) pg 205
... a ballade of five stanzas iif eleb lines, with an envoy of 5 lines.  It is not, however, a practical form of verse, and is difficult of construction.
-Elements and Science of English Versification
By William Caswell Jones · 1897 (pg 118)
I wanted to dig deeper, so I looked up another modern source and found Chant Royal: Poetic Forms which broke things down nicely:
  • Five 11-line stanzas followed by a five-line envoy
  • The 11-line stanzas have this rhyme scheme: ababccddedE
  • The envoy has this rhyme scheme: ddedE
  • The final line of every stanza is a refrain
  • Lines can be any length as long as it's consistent within the poem, but most commonly eight or ten syllables
But I wanted more! So I enlisted my tech savvy husband who was able to log into JSTOR using a New York Public Library account he had just created. He downloaded a pdf of a journal article from 1975: Stewart, Lorna. “THE CHANT ROYAL, A STUDY OF THE EVOLUTION OF A GENRE.” Romania, vol. 96, no. 384 (4), 1975, pp. 481–96, http://www.jstor.org/stable/45040459  Accessed 22 Apr. 2022.
The article added a wealth of nuance to my understanding of the history, and how the Chant Royal was used over time. I am so happy to have found that source!
On to Composing.  I could tell this had the potential to be a very long scroll. I contacted the scribe, Alienor Salton, to ask how wordy I could get. My rough estimate was 10 words per line, 16 lines total, for approximately 160 words. (Yes, I was estimating one syllable per word, but better to over- than underestimate.) Alienor told me to go for it, so I set to it!
I planned on only doing one 11 line stanza and the envoy, so I started by placing the rhyme scheme down on the paper, and color coding it to help me remember the scheme. 
The Chant Royal:
ababccddedE
ddedE
Stanza


a 
b 
c 
c  
d 
d 
e 
d 

Envoy
d 
d 
e 
d
E
a Angelique de Conte’s path has been long
b Doing service-deeds and work with horses
a We’ve heard dazzling praise from Our kingdom’s throng
b Washing dishes through multiple courses
c Helping for hours: Set up through break down 
c Her Equine works been observed by the Crown 
d King Ryouko'jin declares majestically
d Queen Indrakshi states with sincerity
e That Angelique’s to have her Rank increased
d Silver wheel is hers with all transparency 11
E These honors proclaimed in the Mighty East 
Space for atms
d  At Balfar’s Challenge with fine rarity
d AS LVI, April Twenty Three
e A joyous day with never a brow creased
d In Dragonship Haven’s fine Barony
E These honors proclaimed in the Mighty East 
I worked on the abc rhymes in the main refrain, and chose the refrain, the repeated line, E.  Then I jumped to the envoy, and built that up.
If I choose this poetic form in the future, I need to remember that d is the word with the most rhymes. In this scroll, I started with the word “Barony” and wrote my way back up. Thankfully I had a lot to choose from. 
I left a place for the arms of the recipient's in between the verse and the envoy.  l wanted to emphasize the difference between the two and it also made sense in the composition of the scroll.
I attempted a new poetic form with this scroll and learned a lot in the process.  I am particularly happy with the research I did before I started.
I am tucking this verse form away for future use. If I ever get the chance to write a peerage scroll again, a full Chant Royal would be an excellent choice. To be able to break down all 5 essential elements of a scroll with their own 11 line stanza would be epic!
In the envoy, I put the line: “AS LVI, April Twenty Three” - not a full hit rhyme with "Barony," but good enough and conveyed some necessary information.  I also worked in a very subtle My Little Pony reference - - “Rarity” is the name of one of the characters.

I left a place for the arms of the recipient's in between the verse and the envoy.  l wanted to emphasize the difference between the two and it also made sense in the composition of the scroll.


I attempted a new poetic form with this scroll and learned a lot in the process.  I am particularly happy with the research I did before I started the composition.

I am tucking this verse form away for future use. If I ever get the chance to write a peerage scroll again, a full Chant Royal would be an excellent choice. To be able to break down all 5 essential elements of a scroll with their own 11 line stanza would be epic!


East Kingdom Gazette: Balfar’s Challenge Court Report























Saturday, April 9, 2022

Jenna Childslayer - Silver Brooch

Today We have purpose for Jenna Childslayer.
Having whirled round the kingdom for an age, We can say that the arts have flowed as smooth as porcelain under her fingers; as the stars have turned in the skies.
Her fame has spread to Our ears, beyond Our islands, and during these recent times of noxious plague. She is endowed with many talents, all the support, and all the comforts, and utterance of exultation and guidance as teacher. She casts the way for those dipping in the waters, to understand the many eddies and currents of play, and wedging all sorts of forms of crafts with strings and sealing wax.
And thus, the Silver Brooch is said to be deserved, because she is connected, not with minute and inappreciable moments, but intervals of time which can be observed in the spinning of her potter's wheel, turning clay as the hearts and minds of folk who’ve been molded so as to further flourish.
For today the acclaim of the clamoring voices of the populace of these Eastern lands, Ruled by Ryou the Demon King of the Three Heavens, and Rani Indrakshi at their Coronation do willingly, enthusiastically and joyously induct Jenna Childslayer into the Order of the Silver Brooch.  On this day of April 09, AS 56 in the Crown Province of Østgarðr.

Word Count 221

Key
Ceramics References
Today We have purpose for Jenna Childslayer.

Having whirled round the kingdom for an age, We can say that the arts have flowed as smooth as porcelain under her fingers; as the stars have turned in the skies.

Her fame has spread to Our ears, beyond Our islands, and during these recent times of noxious plague. She is endowed with many talents, all the support, and all the comforts, and utterance of exultation and guidance as teacher. She casts the way for those dipping in the waters, to understand the many eddies and currents of play, and wedging all sorts of forms of crafts with strings and sealing wax.

And thus, the Silver Brooch is said to be deserved, because she is connected, not with minute and inappreciable moments, but intervals of time which can be observed in the spinning of her potter's wheel, turning clay as the hearts and minds of folk who’ve been molded so as to further flourish.

For today the acclaim of the clamoring voices of the populace of these Eastern lands, Ruled by Ryou the Demon King of the Three Heavens, and Rani Indrakshi at their Coronation do willingly, enthusiastically and joyously induct Jenna Childslayer into the Order of the Silver Brooch.  On this day of April 09, AS 56 in the Crown Province of Østgarðr.



Like Sands in an Hourglass, these are the BLOG of our lives

To say I was thrilled to receive this assignment is an understatement.   One of the greatest joys that I have in wordsmithing is creating something for a friend.  I have known the recipient since my first few years in the SCA. Writing for a friend makes me as happy as receiving an award myself!
The first thing I did was to dive into an internet search for any references to pottery, the recipient’s chosen art form.  I focused on Chaucer first as a likely place, but the only references I found were to cooking pots.
My husband, Bróccín MacIvyr helped with the majority of the research done for this scroll.  He is the one that found written references to ceramics and pottery paired with comparisons to the stars and the passage of time. 
The Confessions of Saint Augustine led to a wonderful rabbit’s hole of internet research! Augustine: Confessions translated by EB Pusey 
proved particularly fruitful, especially the11th Book.
I copied whole passages from the translation onto my Google doc and began to shape the words.  It quickly became clear that this scroll could go very high in word count.  My scribe, Tola knitýr, said go for it.  WAHOOT!
Due to the language of this scroll, I cannot simply break it down by verse or couplet.  Instead, I will go over it as it is written, inserting my commentary as it goes down the scroll. Most of the pottery terms are from the Glossary of Ceramic Terms.


Today We have purpose for Jenna Childslayer.
Having whirled round the kingdom for an age, We can say that the arts have flowed as smooth as porcelain under her fingers; as the stars have turned in the skies.

I started right off the bat with the recipient and pottery.  In the next long sentence I used three references and an allusion to celestial bodies, which are very linked in the writings I was inspired by.

Whirled is taken directly from Augustine and used in the context of pottery.  

Porcelain is, “A vitrified and translucent ware made from a body containing china clay, ball clay, quartz and feldspar, which is made traditionally and fired only once.”


Her fame has spread to Our ears, beyond Our islands, 

Our Islands is a direct reference to Staten Island where the event is being held mundanely and Long Island right next door, so to speak.


and during these recent times of noxious plague. 

This is of course a COVID times reference.


She is endowed with many talents, all the support, and all the comforts, and utterance of exultation and guidance as teacher. 

This sentence had very few changes from the original translation and it does read as a little bit awkward from that perspective but it so very well seemed to cover all the things that the recipient has tried to impart in the classes she has taught.


She casts the way for those dipping in the waters, to understand the many eddies and currents of play, 

I practically start 2 different themes in this sentence.  Thankfully water is essential to the process of creating pottery, so I continued to go with the flow.

Casting in pottery is “forming pottery by pouring slip into a porous mold.”
Dipping is “The application of a glaze by immersion.”


and wedging all sorts of forms of crafts with strings and sealing wax.

Wedging is “A method of de-airing and dispersing moisture uniformly by hand in a piece of clay.”

Strings and Sealing Wax, was not intended as a pottery reference, but in retrospect I see that strings and wax are also tools of the potter. A string, or wire is used to remove thrown items off the wheel and wax is used in the firing of ceramics to control what the glaze touches.  While this was originally intended as a reference to the kumihimo cords the recipient makes for award medallions and teaches classes on. Cords have been historically used on scrolls and attached with sealing wax.  It was only after I read this out loud that I realized it was a direct quote of Puff the Magic Dragon, by Peter Paul and Mary. While the reference doesn’t hold particular meaning to the recipient, I believe that she will certainly like it in the scroll and as such I chose to keep it.


And thus, the Silver Brooch is said to be deserved, because she is connected, not with minute and inappreciable moments, but intervals of time which can be observed in the spinning of her potter's wheel, turning clay as the hearts and minds of folk who’ve been molded so as to further flourish.

This sentence, where I first name the award that is being given, kept the most feel of the original text. The translations of Augustine’s writings have a definite feel to them, sort of putting the negative first and then coming up with a response to the negative statement.  More often than not, the source material used this pairing negatively whereas I turned the pairings positive. 
“He thus established a Christian philosophy, which has influenced scholars and educators throughout the history of the West.” From, Augustine and Teaching, Influence. As I delve deeper into various writing styles, rhyme schemes and cadences of the ancient and medieval worlds, I am beginning to see that influence.  While by no means an expert, I am seeing nuances in history and that is a very cool thing indeed.

In the SCA, scrolls are used for praise and recognition. To use this writing style at all has to be done carefully.  I hope that I made it clear that minute and inappreciable moments were not the focus of the recipient, but their ability to look and work beyond them.
Turning is Trimming and shaping thrown pots in the leather hard state.

Ceramic Molding is a production method.


For today the acclaim of the clamoring voices of the populace of these Eastern lands, 

This is a transitional sentence where I am changing the perspective away from the accolades of the recipient through use of the populace.  It’s a direct lead into naming Their Majesties and where I abandon most of the influence of Augustine in favor of getting the information necessary for the rest of the piece.


Ruled by Ryou the Demon King of the Three Heavens, and Rani Indrakshi at their 

This is the first scroll that I have written for TRH Ryouko'jin & Indrakshi and I used their preferred titles in the scroll.


Coronation do willingly, enthusiastically and joyously induct Jenna Childslayer into the Order of the Silver Brooch.  

Using the 3 adjectives here is again a stylistic break from the Augustune translation.  But I am all for the extra praise to be added in where I can.


On this day of April 09, AS 56 in the Crown Province of Østgarðr.

The conclusion to the scroll is the same as many others, putting the date, the year, and the place where the event was held at.

This scroll was intriguing to write. Although I used a period source I didn’t actually use a full quote.  Although I did reword much of the text, I didn’t filk the piece.  Although I used many references to one thing I wouldn't label this a punny scroll.   Instead it was an amalgamation of all these techniques combined with the information that is required for all award scrolls.  The whole, I hope, is going to be as meaningful to the recipient as it was for me to write.



Photo by Chana Freidl the Maker